IDEA World Congress |
COMMUNITY ART:
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Experiencing Brazil – Part II Reflections by Norman Matchewan of Barriere Lake AlgonquinJuly 28th, 2010 This past week has been very interesting, especially speaking with the indigenous people from the Tembé tribe who I met a second time away from the hustle and bustle of the IDEA Congress. It was a great honour to be talking so directly with the Tembé Chief – I got to hear firsthand of his community’s struggles such as the poor health of many of his community members: people are dying of malaria and are not getting enough medical attention. During this second meeting – which lasted about one hour (in the presence of other Tembé community members as well as Moe Clark, Émilie Monnet, Martha Steigman and Devora Neumark) – the Chief talked about the importance of the connection with the land; that is the way that his people have survived. I shared with him how our community’s customs are linked to the land also and I spoke of how the Canadian and Quebec governments have been trying for years to break that connection. |
Experiencing Brazil Reflections by Norman Matchewan of Barriere Lake AlgonquinJuly 23rd, 2010 Belém, Para Where do I start? When I arrived in Brazil, the fly in was very beautiful… seeing the Amazon Forest, the green, all the nature from above… seeing the body of water and the different routes that it takes into the land… I just looked at it as being very rich in forest. Entering Belém was totally different… it got a little noisy and the smell of the city wasn’t very pleasant – it is a smell I dislike. |
Thoughts on IDEA 2010 by Dominique MalacortJuly 22nd, 2010 It has already been several days since we were in Belem but the congress didn’t really begin until 2 days ago. It was hot - a little like Montreal during the last heat wave. The congress was held in different places in the city: at the university, in the casa de Linguagem downtown, in different theatres… The locations were separated. We had two choices - take expensive taxis or take the local bus. Two participants were pickpocketed. |
LEVIER Presentation Documents for the IDEA CongressJuly 16th, 2010 Document de présentation (français)Presentation Document (English)Documento de presentaciòn (español) |
Moe Clark And Émilie Monnet Will Be Participating To The 2010 IDEA World CongressJuly 11th, 2010 Moe Clark (Métis) and Emilie Monnet (Algonquin) come together to form “Bird Messengers”, a performance piece combining theatre, music, spoken word and media arts practices.
Moe and Emilie have been working in collaboration with the Blackfoot community of Siksika in Alberta and the Algonquin community of Barriere Lake, Québec/Kitiganik, a member of which - Norman Matchewan - will be participating in the IDEA 2010 World Congress. For decades, the community of Barriere Lake has been fighting for the Canadian government to recognize their ancestral form of governance and inherent right to their traditional territory, culture and language. With this piece, the artists wish to explore how art can be a tool for protection of indigenous ways of life and for defending the land. |
Devora Neumark and the IDEA Special Interest GroupJuly 11th, 2010 The Special Interest Group (SIG) Interculturalism / Translation / International Collaboration has invited Devora Neumark to join the four-day conversation being planned for the IDEA 2010 Event in Belém, Brazil. As a representative of LEVIER, Devora has articulated the issues and challenges related to this SIG as follows: |
(Français) La présence de LEVIER et de ses collaborateurs au congrès d’IDEA 2010 à BelémJuly 11th, 2010 Document de présentation (français)Presentation Document (English)Documento de presentaciòn (español)English version of the text will be on line soon … Read more → |
Latin America to Host the 2010 IDEA World Congress!October 25th, 2009 Between July 17-25, the 2010 IDEA World Congress will be hosted by the Brazilian Network of Art-Educators (ABRA), in Belem, north of Brazil. Viva a Diversidade Viva! - Embracing the Arts of Transformation This theme has been chosen for its relevance to the global search for new arts-based pedagogies for the 21st century, to the global quest for responses to globalization and dehumanization, to Latin America’s and Brazil’s socio-cultural needs, and as a celebration of interdisciplinarity as a global pedagogical project. |

