THE FOLLOWING BOOKS (LISTED IN ALPHABETICAL ORDER) ARE AVAILABLE FOR ON-SITE CONSULTATION AT LEVIER’S SPACE.

– A –

Adams, Patch. (1996), ‘Hilarity, Health Care, and Art’, Communities – Journal of Cooperative Living: Celebrating Arts and Creativity in Community, 93: 38-40.

Allison, Dorothy. (1996), Two or Three Things I Know For Sure, New York: Plume.

Alt Theatre. (2005), Cultural Diversity and the Stage, 3: 4.

Alt Theatre. (2008), Cultural Diversity and the Stage, 5: 3.

Alt Theatre. (2008), Cultural Diversity and the Stage, 6: 1.

Alt Theatre. (2008), Cultural Diversity and the Stage, 6: 2.

Anderson, Kim. (2008), A Recognition of Being: Reconstructing Native Womanhood, Toronto: Second Story Press.

Five hundred years of colonial domination has contributed to and perpetuates a racist vision of indigenous women. Based on personal experiences, indigenous women describe how they re-appropriate their cultural traditions and how they create strong and positive images of themselves linked to their historical heritage.

Anderson, Kim and Lawrence, Bonita. (2004), Strong Women Stories: Native Vision And Community Survival, Toronto: Sumach Press.

Ashtar, Editor. (2005), A Blazing Stage: A one-time publication to commemorate Ashtar’s Tenth Anniversary.

ATSA. (2008), When Art Takes Action / Quand l’art passe à l’action. Montréal: Action Terroriste Socialement Acceptable.

Augaitis, Daina, and Lorne Falk, Editors. (1995), Questions of Community: Artists, Audiences, Coalitions. Banff: Banff Centre Press.

– B –

Baillargeon, Normand et Piotte, Jean-Marc. (2007), Au bout de l’impasse à gauche. Montréal : Lux Éditeur.

Bales, Kevin. (2004), Disposable People: New Slavery in the Global Economy. Berkeley: University of California Press. First published in 1999.

Bales, Kevin. (2005), Understanding Global Slavery: A Reader. Berkeley: University of California Press.

Bales, Kevin. (2007), Ending Slavery: How We Free Today’s Slaves. Berkeley: University of California Press.

Bales, Kevin & Cornell, Becky. (2008), Slavery Today. Toronto : Groundwood Books & House of Anansi Press.

Bales, Kevin & Soodalter, Ron. (2009), The Slave Next Door: Human Trafficking and Slavery in America Today. Berkeley: University of California Press.

Baqué, Dominique. (2004), Pour un nouvel art politique : De l’art contemporain au documentaire. Paris: Éditions Flammarion.

Barndt, Deborah. (2006), Wild Fire: Art Activism. Toronto: Sumach Press.

Batstone, David. (2007), Not For $ale: The Return of the Global Slave Trade – and How We Can Fight It. New York: HarperCollins.

Becker, Carol, Editor. (1994), The Subversive Imagination: Artists, Society and Social Responsibility, New York: Routledge.

In the introduction to The Subversive Imagination, Becker examines how art can easily be misunderstood by the general public and gives examples of public attacks (sometimes even physical) on various exhibitions and cultural policies. Becker explains such hostile reactions to art by pointing out how sometimes art reveals societal contradictions that many would prefer to keep hidden. The most important stakes according to Becker are the responsibility artists have toward society and vice verso – critical issues that Becker thinks should be raised within artistic communities. Becker also looks at the social function of artists in non-North American contexts.

Bellavance, Guy, Editor. (2000), Monde Et Réseaux de L’art : Diffusion, migration et cosmopolitisme en art contemporain, Montréal: Éditions Liber.

Beveridge, Karl; Johnston, Jude. (1999), Making Our Mark : Labour Arts and Heritage in Ontario, Toronto: Between the lines.

Billing, Johanna, Editor. (2007), Taking the Matter into Common Hands, London: Black Dog Publishing.

Block, Peter. (2009), Community: The Structure of Belonging , San Francisco: Berrett-Koehler Publishers, Inc.

Borrup, Tom with Partners for Livable Communities. (2006), The Creative Community Builder’s Handbook: How to Transform Communities Using Local Assets, Arts, and Culture , Saint Paul: Fieldstone Alliance Publishing Center.

Boyer, Jean Pierre; Desjardins, David; Widgington, David. (2007) Pour changer le monde : 659 affiches des mouvements sociaux au Québec de 1966 à 2007, Montréal : Lux Éditeur.

Bradford, Gigi, Michael Gary, and Glenn Wallach, Editors. (2000), The Politics of Culture: Policy Perspectives for Individuals, Institutions, and Communities. New York: The New Press.

Breton, Gaétan. (2005), Faire payer les pauvres. Montréal : Lux Éditeur.

Browning, Barbara. (1995), Samba, resistance in motion: Dance – Social aspects – Brazil, Indianapolis: Indiana University Press.

Burnham, Linda Frye and Steven Durland, Editors. (1998), The Citizen Artist: 20 Years of Art in the Public Arena,  An Anthology from High Performance Magazine 1978-1998,  Gardiner, NY: The Critical Press.

Second in a series on public art published by the Gunk Foundation, this book concentrates on Community Art and is organized according to the following three categories: The Art/Life Experiment; The Artist Activist; and The Artist as Citizen.

– C –

Cameron, Julia. (1992), the Artist’s Way – Libérez votre créativité. New York: Perigree Books.

Carty, Linda. (1993),  And Still We Rise: Feminist Political Mobilizing in Contemporary Canada. Toronto: Women’s Press.

In this book Carty explains why current feminism must put diversity and community at the centre of critical engagement and analysis. Furthermore Carty suggests that socio-political mobilization aimed at overcoming the oppression of women struggles to succeed because no-one is defined solely by their gender.

Carver, John. (1997), Boards that make a difference: A new design for leadership in nonprofit and public organizations. San Francisco: Jossey-Bass.

Caruth, Cathy, Editor. (1995), Trauma. Explorations in Memory. Baltimore: Johns Hopkins University Press.

This compilation of essays explores why memory often fails after traumatic experience, why fact alone cannot provide a complete understanding of trauma, and how literature aids us in understanding trauma because it uses imagination as well as fact and memory. These cross-disciplinary essays also look at new approaches to traumatic experience in theoretical and clinical disciplines. Issues considered include education, trauma and aging, feminist perspectives, trauma and community, and the AIDS crisis.

Castriota, David. (1987), Artistic Strategy and the Rhetoric of Power. Illinois: University of Indiana Press.

Centre des femmes de Montréal. (2004), Service de première ligne et aux femmes immigrantes.  Sur le chemin de l’espoir ; Guide pratique pour groupes d’entraide à l’intention des femmes ayant subi la violence suite à des conflits armés. Montréal : Centre des femmes de Montréal.

Centre National de la Photographie. (1996), Pauvres de nous; Images d’exclusion. Paris

Chamberlain, Melissa, Garbish, Elizabeth, Leduc, Donna, Rose Myrna, and Wakeling, Faye. (1996), Hope is in the Struggle: A Community in Action. Toronto: The United Church Publishing House.

Chödrön, Pema. (1994), Start Where You Are: A Guide to Compassionate Living. Boston and London: Shambala Dragon Editions.

Pema Chödrön, author of The Wisdom of No Escape and When Things Fall Apart, suggests concrete advice for the development of compassion for others and a healthy relation with oneself. The author shows how important it is to start where we are and accept the challenges we experience rather than denying them.

Chomsky, Noam. (2008), Comprendre le pouvoir. Montréal : Lux Éditeur.

Choudry, Aziz; Hanley, Jill; Jordan, Steve; Shragge, Eric; Stiegman, Martha. (2009), Fight Back: Workplace Justice for Immigrants, Halifax and Winnipeg: Fernwood Publishing.

Cleveland, William. (2008). Art and Upheaval: Artists on the World’s Frontlines. Oakland: New Village Press.

Collectif pour un Québec sans pauvreté. (2008), Tenir parole ! Trajectoires et paroles citoyennes autour d’une affiche. Québec: Les Presses de l’université Laval.

Commission des droits de la personne et des droits de la jeunesse. (2005), Mythes et réalités sur les peuples autochtones. Québec: Commission des droit de la personne et des droits de la jeunesse.

Comarck, Elizabeth; Balfour, Gillian. (2004), The Power to Criminalize: Violence, Inequality and the Law, Halifax: Fernwood Publishing.

Comarck, Elizabeth; Balfour, Gillian. (2006), Criminalizing Women, Halifax: Fernwood Publishing.

Cooper, Afua. (2006), The Hanging of Angélique: The Untold Story of Canadian Slavery and the Burning of Old Montreal, Toronto: Harper Perennial.

Crum, Thomas F. (1987), The Magic of Conflict: Turning a Life of Work into a Work of Art, New York: Simon and Schuster.

The Magic of Conflict presents the Aiki approach to overcoming conflicts and turning frustrations into achievements. Based on the Aikido, a Japanese martial art, the Aiki approach involves meditation, breathing exercises, frankness in expression, and play.

Crum, Thomas F. (1997),  Journey To Center: Lessons in Unifying Body, Mind, and Spirit. New York: Simon and Schuster.

Cuesta, Claudia and Bill Baker. (1998), What has been achieved by community-based public art in Vancouver. London, ON: University of Western Ontario.

– D –

DARE-DARE. (2008), Dis/Location 1: projet d’articulation Urbaine: Square Viger, Montréal: DARE-DARE Centre de diffusion d’art multidisciplinaire de Montréal.

Davis Y. Angela. (2005), Abolition Democracy: Beyond Empire, Prisons, and Torture, New York: Seven Stories Press Edition.

Davis Y. Angela. (2003), Are Prisons Obsolete?, New York: Seven Stories Press Edition.

Doss, Erika. (1995), Spirit Poles and Flying Pigs: Public Art and Cultural Democracy in American Communities, Washington and London: Smithsonian Institution Press.

Dupuis-Déri, Francis. (2008), Québec en mouvements. Montréal : Lux Éditeur.

Durand, Guy Sioui. (1997), L’art comme alternative: Réseaux at pratiques d’art parallèlle au Québec 1976-1996, Québec: Éditions Intervention.

The author traces the development of alternative art in Quebec, the emergence of groups of artists who sought alternatives to gallery and museum contexts, and who thus developed their own exhibition spaces and an art that was “parallel” to the mainstream. Their work was concerned with political, environmental and social issues, taking its cue from the various social movements of the day. In Chapter One, Durand discusses what alternative art is and what its goals are; in Chapter Two he explores its germination in Quebec following the second World War; Chapter Three defines and examines its later stages; Chapter Four looks at the networks and associations that grew out of the movement, and subsequent chapters explore political, performance, and environmental art, followed by an analysis of main artistic events.

Duvall, Linda. (1998), Collaboration: The Moose Jaw Conversations, London, ON: University of Western Ontario.

– E –

Elizabeth, Lynne and Young, Suzanne. (2006), Works of Heart: Building Village Through the Arts, Oakland: New Village Press.

Esse, arts + opinions. (2004), 20 ans d’engagement, Montreal: Esse, arts + opinions.

Evangelista, Liria. (1996), Voces de los sobrevivientes: testimonio, duelo y memoria en la post-dictadaura Argentinia (1983-1995) [Voices of the survivors: testimony, grief, and memory in post-dictatorship Argentina (1983-1995)], Dissertation: State University of New York at Stony Brook.

The author considers the value of artistic creation as expression of grief or testimony by examining creative responses of Argentinians to the social trauma they experienced under the military government of the late 1970’s and early 1980’s.

– F –

Felshin, Nina, Editor. (1995), But is it Art?: The Spirit of Art as Activism, Seattle: Bay Press.

This anthology presents the thought of critics, historians, and journalists as they discuss the recent shift in contemporary art caused by greater numbers of artists becoming activists in their work, and seeking to make art in public with the participation of a community. Artists and groups examined include the Guerilla Girls, Gran Fury, Group Material, the Women’s Action Coalition, the American Festival Project, the Artist and Homeless Collaborative, Helen and Newton Harrison, Carol Condé and Karl Beveridge, Peggy Diggs, Suzanne Lacy, Mierle Laderman Ukeles, David Avalos, Louis Hock, and Elizabeth Sisco.

Fisher, Roger et. al. (1994),  Beyond Machiavelli: Tools for Coping with Conflict, New York: Penguin Books.

This book seeks to respond to the lack of theory and practical advice for working through conflict by presenting some tools for the analysis of conflict and applications in real life. Instead of only looking to the reasons why things function or do not, the authors are interested in how individuals can affect change.

Fisher, Roger and Scott Brown. (1998), Getting Together: Building Relationships As We Negotiate, New York: Penguin Books.

Getting Together sets out to present a step-by-step approach to initiating relationships and negotiating short and long-term connections (be they business related, with government officials, between friends or within families).

Fisher, Roger and William Ury. (1981), Getting to Yes: Negotiating Agreement Without Giving In, New York: Penguin Books, 1981.

Getting to Yes presents strategies for achieving mutually acceptable agreements of all kinds. Based on the work of the Harvard Negotiating Project, this book explains how to separate people from problems, how to keep one’s attention on one’s interests and not opinions, and how to work together to create options that everyone will be satisfied with especially in situations of unequal power distribution or when people refuse to ‘play by the rules.’

Fly with me to another world project. (2006), Public Art In(ter)vention, Thailand: Fly with me to another world project.

Freire, Paulo. (2000), Pedagogy of the Oppressed, New York: Continuum.

Freitag, Michel. (2008), L’impasse de la globalisation : une histoire sociologique et philosophique du capitalisme. Montréal : Les Éditions Écosociété.

Frieling, Rudolf; Groys, Boris; Atkins, Robert; and Manovich, Lev. (2008), The Art of Participation: 1950 to Now, San Francisco: San Francisco Museum of Modern Art.

– G –

Gablik, Suzy. (1995), Conversation Before the End of Time, London: Thames and Hudson.

Gablik, Suzy. (1984), Has Modernism Failed?, London: Thames and Hudson.

Gablik, Suzy. (1994), The Reenchantment of Art, London: Thames and Hudson.

In this book Gablik discusses her belief that art should encompass social, spiritual, and ecological concerns, citing works by Fern Shaffer, Andy Goldsworthy, Rachel Rosenthal and Suzanne Lacy.

Gaboury, Placide. (1997), Pas La Charité, mais le Partage, Quebec: Les Éditions Quebecor.

Gérin, Annie and McLean, James, S. (2009), Public Art in Canada: Critical Perspectives, Toronto, Buffalo, London: University of Toronto Press.

Gervais, Stephan, Karmis, Dimitrios et Lamoureux, Diane. (2008), Du tricoté serré au métissé serré ? La culture publique commune au Québec en débats. Québec: Les presses de l’Université de Laval.

Ginsburg, Faye. (1997), ‘From Little Things, Big Things Grow: Indigenous Media and Cultural Activism’, in Between Resistance and Revolution (Richard G. Fox and Orin Star, Editors), New Jersey: Rutgers University Press.

Giroux, Henry A. and Simon Roger. (1992), Crossings: Cultural Workers and the Politics of Education. New York and London: Routledge.

Gleizal, Jean-Jacques. (1994), L’art et le politique. Paris: PUF.

Goffman, Irving. (1959), The Presentation of Self in Everyday Life, New York: Anchor Books.

Goldbard, Arlene. (2006), New Creative Community: The Art of Cultural Development, Oakland: New Village Press.

Golden, Joseph. (1987), Pollyanna in the Brier Patch: The Community Arts Movement, New York: Syracuse University Press.

Graham-Pole, John M.D. (2000),  Illness and the Art of creative Self-Expression, Oakland: New Harbinger Publications, Inc.

Gramsci, Antonio. (1971), Selections from the Prison Notebooks, (G. Nowell Smith and Q. Hoare, Editors), New York: International Publications.

Grande, John K. (1994), ‘Which public? Whose art?’, Espace, 29: 6-11.

Gravel, Claire. (1991-92), ‘Art Public et responsabilité sociale’, Espace, 18: 52-3.

Graves, Donna and Lydia Matthews. (1992), ‘Evacuations Through Community History’, Artweek, 20: 4-5.

Greer, Betsy. (2008), Knitting for Good! A Guide to Creating Personal, Social, and Political Change , Stitch by Stitch, Boston & London: Trumpeter Books.

Grosskopf, Barry. (1999), Forgive Your Parents, Heal Yourself: How Understanding Your Painful Family Legacy Can Transform Your Life, New York: The Free Press.

Grout, Catherine. (2000), Pour une réalité publique de l’art, Paris: L’Harmattan.

Groys, Boris. (2008), Art Power, Cambridge and London: The MIT Press.

– H –

Haaken, Janice. (1998), Pillar of Salt: Gender, Memory, and the Perils of Looking Back, New Jersey: Rutgers University Press.

Haaken examines in this book the controversy surrounding women’s memories of childhood sexual abuse, refusing polarized definitions of the victims’ memory as either completely accurate or the result of ‘false memory syndrome.’ Haaken advocates transformative remembering, a way of understanding memory through the use of myth and fantasy. The book moves from frameworks for looking back in part one, to recovering historical memory through storytelling and hypnosis in Part Two, to the clinical environment and contemporary dilemmas in Part Three.

Hawken, Paul. (2007), Blessed Unrest: How the Largest Movement in the World Came into Being and Why No One Saw It Coming, New York: Penguin Books.

Heathfield, Adrian. (1997), Shattered Anatomies: Traces of the Body in Performance, England: Arnolfini Live.

Herivel, Tara; Wright Paul, Editors. (2007), Prison Profiters: Who Makes Money From Mass Incarceration, New York: The New Press.

Herman, Judith Lewis. (1992), Trauma and Recovery: The Aftermath of Violence – From Domestic Abuse to Political Terror, New York: HarperCollins Publishers.

The author centers this book around the conflict between the will to deny traumatic events after they have occurred, and the need to speak about them, positing that remembering and telling about trauma are necessary to the process of healing from it. Representing two decades of research and clinical work with victims of sexual and domestic violence, war veterans, and victims of political terror, the book spans many different forms of traumatic experience and the ways in which victims heal from it. Part One explores different kinds of traumatic disorder, while Part Two is about the stages of recovery which, because the various kinds of trauma have features in common, are similar even for different kinds of victims: establishing a feeling of safety, remembering and mourning, and reconnecting with community.

Hoffman, Abbie. (1980), Soon to be a Major Motion Picture, New York: Perigee Books.

Holloway, John. (2007), Changer le monde sans prendre pouvoir (Le sens de la révolution aujourd’hui), Montréal: LUX Éditeur

hooks, bell. (2000), All About Love: New Visions, New York: HarperCollins Publishers.

– I –

– J –

Jaccoud, Mylène (sous la direction de). (2009), Régulations sociopénales et peuples autochtones, Vol. 42 (2), Revue Criminologie, Montréal : Les Presses de l’Université de Montréal.

Jacob, Mary Jane, Editor. (1988), Conversations at the Castle, Cambridge: the MIT Press.

Jacobson, Edmund, M.D. (1980), Savoir relaxer pour combattre le stress, Montreal: Les Éditions de L’Homme.

Jaworski, Joseph. (1996), Synchronicity: The Inner Path of Leadership, San Francisco: Berrett-Koehler Publishers.

Jeu 94, cahiers de théâtre. (2000), Engagement nouvelle vague,  Montréal: Jeu 94, Cahiers de théâtre.

Jordan, Tim. (2003), S’engager ! Les nouveaux militants, activistes, agitateurs… Paris : Éditions Autrement.

– K –

Kaye, Nick. (2007), Multi-media, Video Installation Performance, London and New York: Routledge.

Kelley, Caffyn. (1995), ‘Broken Silence, Visible Wounds: Canadian Artists Expose Social Space With Contradictions Intact’, High Performance, 18: 48-53.

Kelly, Owen. (1985), Community Art and the State: Storming the Citadels, London: Comedia Publishing.

Kershaw, Baz. (1992), The Politics of Performance: Radical Theatre as Cultural Intervention, London: Routledge.

Kershaw, Baz. (1999), The Radical in Performance: Between Brecht and Baudrillard, London: Routledge.

Kester, Grant H, Editor. (1998), Art, Activism, and Oppositionality: Essays from Afterimage, Durham: Duke University Press.

Kester, G. (2004), Conversation Pieces: Community + Communication in Modern Art, Berkeley: University of California Press.

Klein, Deborah. (2003), Artist and Communities; America creates for the millennium, United States: MidAtlantic Arts Foundation.

Klein, Naomi. (2008), La stratégie du choc: La montée d’un capitalisme du désastre. Translated by Lori Saint-Martin and Paul Gagné. Original title: The Shock Doctrine: The Rise of Disaster Capitalism. Montréal: Leméac Éditeur.

Knight, Keith and Schwarzman, Matt. (2005), Beginner’s Guide to Community- Based Arts, Oakland, CA: New Village Press.

Kuppers, Petra. (2007), Community Performance: An Introduction, Oxon, Great Britain: Routledge.

Kuppers, Petra and Robertson Gwen. (2007), The Community Performance Reader, Oxon, Great Britain: Routledge.

– L –

Laboratoire d’animation et recherche culturelles (LARC). Cahier de l’Action culturelle, Le Mobile, 4:1, Montreal: Université du Québec à Montréal (UQÀM).

Lacy, Suzanne, Editor. (1995), Mapping the Terrain: New Genre Public Art Seattle: Bay Press.

Including accounts of over 90 artists working in the public art realm, this book is an anthology of writings advocating imaginative, socially responsible and socially responsive art. Dealing with such issues as public monuments, censorship, the move away from individualism in art, and how to make art matter, the book explores how public art has gone from traditional sculpture in public parks to art that involves directly engaging the audience, and examining the most pressing political and social issues of the day.

Laidlaw, C., et al., Editors. ( 1990), Healing Voices: Feminist Approaches to Therapy with Women, San Francisco: Jossey-Bass Publishers.

Lamoureux, Ève. (2009), Art et politique: Nouvelles formes d’engagement artistique au Québec, Montréal: Écosociété.

L’arrêt-Source, Maison pour jeunes femmes en difficulté. (2006), Écrie et sans pitié, Outremont: Éditions du passage.

Lawry, Suzann Smith. (1996), Healing the Splintered Self: A Look at Creativity in Healing from Childhood Sexuel Abuse, Dissertation: Georgia State University.

Lee, Angela and Fernandez, Melanie. (1998), Community Arts Workbook: Another Vital Link, Toronto: Ontario Arts Council.

This workbook is for artists, communities and the public – anyone engaged in or who wants to become involved in community art.It is designed to give some background on the application of community art as well as provide hands-on tools, advice, frameworks, and techniques to help artists, cultural workers, and communities plan, begin, complete, and evaluate community art projects. The workbork follows on the ideas explored at the Ontario Art Council’s Vital Links: Enriching Communities through Art and Art through Communities conference that took place in September 1997.

Leonard, H. Robert and  Kilkelly, Ann. (2006), Performing Communities, Oakland, CA: New Village Press.

Lerman, Liz; Borstel, John. (2003), Critical Response Process: A method for getting sefull feedback on anything you make, from dance to dessert. Takoma Park: Liz Lerman Dance Exchange.

Lerner, Harriet. (1985), The Dance of Anger: A Woman’s Guide to Changing the Patterns of Intimate Relationships, New York: Harper Perennial.

Les Filles électriques et Passages. (2010), Les Passagères : Voix de changement, Montréal: Planète rebelle.

Levine, Peter A. and Frederick, Ann. (1997), Waking the Tiger: Healing Trauma: The Innate Capacity to Transform Overwhelming Experiences, California: North Atlantic Books.

Levi Srauss, David. (1999), Between Dog and Wolf: Essays on Art and Politics,  New York: Autonomedia.

Lingis, Alphonso. (1994), Foreign Bodies, New York: Routledge, 1994.

Using the languages of philosophy, visual art, biography, anthropology and literature, the author explores life as lived through the body: its perception of pleasure and pain, and how culture affects our sensuality and our susceptibility to these bodily sensations. Dividing the book into four parts (the force of the body, pleasure and pain, the libidinal economy, and imperative bodies) Lingis examines how our bodies are a product not only of evolution, but of our own history as well.

Lippard, Lucy. (1976), From the Centre: Feminist Essays on Women’s Art, New York: E. P. Dutton.

Lippard, Lucy. (1984), Get the Message? A Decade of Art for Social Change, New York: E.P. Dutton.

Lippard, Lucy. (1995), Mixed Blessings: New Art in a Multicultural America. New York: Pantheon Books.

Lippard, Lucy. (1997), Lure of the Local: Senses of Place in a Multicentered Society, New York: The New Press.

Lowe, Seana. (2000), ‘Creating Community: Art for Community Development’, Journal of Contemporary Ethnography 29:3: 357-385.

– M –

MacDougall, Jill R. and Yoder, Stanley. (1998), Contaminating Theatre: Intersections of Theatre, Therapy, and Public Health, Evanston, IL: Northwestern University Press.

Mackey, Frank. (2010), Done with Slavery: The Black Fact in Montreal. Montreal: McGill-Queens University Press.

Maidment, MaDonna. (2009), When Justice Is a Game: Unravelling Wrongful Convictions in Canada, Halifax and Winnipeg : Fernwood Publishing.

Malarek, Victor. (2003), The Natashas: The New Global Sex Trade. Toronto: Penguin Group.

McLean, Cheryl; Kelly, Robert, Editors. (2010), Creative Arts in Interdisciplinary Practice: Inquiries for Hope & Change, Calgary: Detselig Enterprises Ltd.

McGauley, Laurie. (2006), Imagine: An external review of Canada Council for the Arts Artists and Community Collaboration Fund. Ottawa: The Canada Council for the Arts – Inter-Arts Office.

McNiff, Shaun. (1992), Art As Medicine: Creating a Therapy of the Imagination. Boston: Shambala Publications.

Describing his own pioneering methods of art therapy, McNiff examines how the creative process can be used to heal the imagination as a body heals itself after illness. His account of using methods such as storytelling, performance, creative collaboration and dialoguing with images demonstrates how both the psychotherapy and art can be enriched through these processes.

Marcuse, Herbert. (1996), The Subversive Potential of Art: Zones of Contention, New York: SUNY Press.

Martin, Randy. (1990), Performance as Political Act: The Embodied Self, New York: Bergin and Garvey Publishers.

Marino, Dian. (1997), Wild Garden: Art, Education, and The Culture of Resistance, Toronto: Between The Lines.

Melzer, Arthur M., Jerry Weinberger, M. and Richard Zinman, Editors. (1999), Democracy and the Arts, Ithaca, NY: Cornell University Press.

Miles, Malcolm. (1997), Art, Space and the City: Public Art and Urban Features,  New York: Routledge.

Miller, Lorrie. (1998), Making It Happen: Collaborative Practices in Community Art Production, London, ON: University of Western Ontario.

Millon, Henry A., and Linda Nochlin, Editors. (1978), Art and Architecture in the Service of Politics. Cambridge Mass: MIT Press.

Mitchell, J.P., Editor. (1992), Art and the Public Sphere, Chicago: University of Chicago Press.

Montano, Linda M. (2000), Performance Artists Talking in the Eighties,  Berkeley and Los Angeles: University of California Press.

Morelyle, Karen Penny. (2000), Local Instances of Social Resistance: Artistic Expressions in the Age of Globalization, Ontario: Carleton University.

Murphy, K. Brian. (1999), Transforming Ourselves, Transforming The World: An Open Conspiracy for Social Change. London: Zed Books Ltd.

– N –

Naidus Beverly. (2009), Arts for Change: Teaching Outside the Frame, Oakland: New Village Press.

Nancy, Jean-Luc. (2001), La Communauté affrontée, Paris: Éditions Galilée.

Nawrocki, Norman.(1998), Chasseur de Tornades : raves, soupirs et sacres vers un monde libertaire. Montréal: Édam/Les Pages Noires.

Nawrocki, Norman. (2003), The Anarchist and The Devil Do Cabaret, Montreal: Black Rose Books.

Nawrocki, Norman. (2007), Breakfast for Anarchists, Montreal: No Bar Code Press.

Nawrocki, Norman. (2009), Lunch for Insurgents, Montreal: Les Pages Noires.

Nawrocki, Norman. (2009), Dinner for Dissidents, Montreal: Les Pages Noires.

Ninacs, Anne-Marie. (2000), Livret Skol 2000-2001. Montreal: Skol Centre Des Arts Actuels.

Ninacs, Anne-Marie and Loubier, Patrice. (2001), Les commensaux: When Art Becomes Circumstance, Montréal: Skol Centre Des Arts Actuels.

Niskala, Brenda. Artist and Community Collaboration: A Toolkit for Community Projects, Regina: Common Weal Community Arts.

– O –

Ochoa, María. (2003), Creative Collectives: Chicana Painters Working in Community , Albuquerque: University of New Mexico Press.

Orton, Elizabeth. (1999), Transforming and Healing Communities Through Art: An Analysis of Community-based Art in Canada. Ottawa: Carleton University.

Ouédraogo-Bassolé, Angèle. (2003), Avec tes mots, Ontario: Éditions Malaïka/Sankofa.

Oxy-Jeunes Inc. (1990), Des passions à la page, Montréal: Oxy-Jeunes.

Oxy-Jeunes Inc. (1989), On change de décors : 9e Festival de créations jeunesse, Montréal: Oxy-Jeunes.

– P –

Pacific, Robin. (1999), Initiatives in Cultural Democracy A Report to the Laidlaw Foundation, Toronto: Laidlaw Foundation.

Pacific, Robin. (2000), Proceedings of the Art of Change Workshop, Toronto: Laidlaw Foundation.

Parachute. (2001), L’idée de communauté – The idea of community, Montreal: Parachute.

Parkin, David, Caplan, Lionel, and Fisher, Humphery, Editors. (1996), The Politics of Cultural Performance, Providence: Berghahn.

Patel, Raj. (2007), Stuffed and Starved: Markets, Power and the Hidden Battle for the World’s Food System, Toronto: HarperCollins Publishers.

Patterson, Jodi. (2005), Art Teacher Evidenced; Ideas, Resources and Proven Possibilities for the Secondary Art Teacher, USA: Instant Publisher.

Pile, Steven and Keith, Michael, Editors. (1997), Geographies of Resistance, New York and London: Routledge.

Platt, Ron. (2004), Borne of Necessity, North Carolina: Weatherspoon Museum.

Polak, Paul. (2008), Out of Poverty: What Works when Traditional Approaches Fail, San Francisco: Berrett-Koehler Publishers.

Pontbriand, Chantal. (2000), Communauté et Gestes, Montreal : Éditions Parachute

Portnoy, Alisse. (2005). Their Right to Speak: Women’s Activism in the Indian and Slave Debates. Cambridge & London: Harvard University Press.

Poudrette, Élise. Pour sortir de l’abus. (2000), Guide d’intervention pour groupes d’entraide à l’intention des survivantes d’inceste, Montreal: Centre des femme de Montréal.

Prokosch, Mike; Raymond, Laura. (2002), The Global Activist’s Manual: Local Ways to Change the World, New York: Thunder’s Mouth Press / Nation Books

Purves, Ted, Editor. (2005), What We Want is Free: Generosity and Exchange in Recent Art , Albany: State University of New York Press.

– Q –

– R –

Raunin, Gerald. (2007), Art and Revolution: Transversal Activism in the Long Twentieth Century, (translated by Aileen Derieg), Los Angeles: Semiotext(e).

Raven, Arlene, Editor. (1989),  Art in the Public Interest, Ann Harbor and London: UMI Research.

Ringer, Judy. (2006), Unlikely Teachers (Finding the hidden gifts in daily conflict), Portsmouth: OnePoint Press.

Rochlitz, Rainer. (1994), Subversion et subvention, Paris: Gallimard.

Rosenberg, Marshall B. (2005), Les mots sont des fenêtres (ou des murs), St-Julien-en-Genevois (France) : Éditions Jouvence

Rounds, Chuck. (2002), Visual Arts Education and Development of Critical Thinking Skills, Human Development and Behavior.

– S –

Saul, John Ralston. (1995), The Unconscious Civilization, Concord: House of Anansi Press Limited.

Schindler, Richard A. (1996), ‘Democracy is Fun! Joseph Beuys and the Aesthetics of Activism’, The New Art Examiner, October: 20- 25.

Sholette, Gregory. (1999), ‘Counting On Your Collective Silence: Notes on Activist Art as Collaborative Practice,’ After Image, 27:3: 18-20.

Schutzman, Mady and Cohen-Cruz, Jan, Editors. (1994), Playing Boal: Theatre, Therapy, Activism, London and New York: Routledge.

Schwarzman Mat. (1993), ‘Its About Transformation: Thoughts on Arts as Social Action’, High Performance, 64 Winter: 32- 35.

Seabrook, Jeremy. (2007), The No-Nonsense Guide to World Poverty, Toronto: New Internationalist Publications Ltd.

Selman, Jason ‘Blackbird’. (2007), The Freedom I Stole, Montréal: Cumulus Press.

Shaw, Randy. (2001), The Activist’s Handbook, Berkeley: University of California Press.

Shragge, Eric. (2006), Action communautaire : dérives et possibles. Montréal : Les Éditions Écosociété.

Skinner, E. Benjamin. (2009), A Crime So Monstrous: Face-to-Face with Modern-Day Slavery. New York: Free Press.

Silver, Jim. (2008), In Their Own Voices: Building Urban Aboriginal Communities, Halifax: Fernwood Publishing.

Simonin, Nicolas (sous la direction de). (2008), Livraison no. 9 : Revue d’art contemporain, Montréal : Édipresse.

Spence, Jo. (1995), Cultural Sniping: The Art of Transgression, London: Routledge.

A reflection on the work of photographer Jo Spence, this book examines her engagement with a variety of genres, from documentary photography to phototherapy, and a diverse range of issues such as class, gender, health

and the body. She reflects, in three parts called ‘class, realism, and beyond,’ ‘a crisis of representation: health and bodies,’ and ‘identity, photography, therapy,’ on topics such as the work of John Heartfield, the politics of photography, the process of exhibition selection, fairy tales, questioning documentary practice, the female gaze, phototherapy, the daughter’s gaze, and the artist and illness.

Stimson, Blake and Sholette, Gregory, Editors. (2007), Collectivism After Modernism: The Art of Social Imagination after 1945, Minneapolis: University of Minnesota Press.

– T –

The Invisible Commitee. (2007), The Coming Insurrection, Los Angeles: Semiotext(e).

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Trend, David. (1996), Cultural Democracy: Politics, Media, New Technology, New York: SUNY Press.

Trend, David. (1992), Cultural Pedagogy: Art, Education, Politics, New York: Bergin and Garvey.

Trépanière, Diane, Editor. (2007), ABCd’art de la rue des femmes, Montréal: Éditions du remue-ménage.

Trépanière, Diane, Editor. (2004), Des pas sur l’ombre : Témoignages d’intervenantes en maisons d’hébergement, Montréal: Éditions du remue-ménage.

– U –

Ury, William. (1993), Comment Négocier Avec Les gens Difficiles : De l’affrontement à la coopération. Paris : Les Éditions du Seuil.

– V –

Van Erven, Eugène; Van Den Hurk, Peter, Editors. (2008), International Community Arts Festival 2008: Report on a Festival about Quality in Community Arts, Rotterdam: Rotterdams Wijktheater.

Vander Gucht, Daniel. (2004), Art et politique : Pour une redéfinition de l’art engagé. Bruxelles : Éditions Labor.

Viau, Roland. (2003), Ceux de Nigger Rock : Enquête sur un cas d’esclavage des Noirs dans le Québec ancien, Outremont (Qué) : Libre Expression.

Viveret, Patrick. (2008), Reconsidérer la richesse. Clamency (France): Éditions de l’Aube.

– W –

Wallis, Maria A.; Kwok, Siu-ming. (2008), Daily Struggles: The Deepening Racialization And Feminization Of Poverty In Canada, Toronto: Canadian Scholars’ Press Inc.

Wark, Jayne. (2006), Radical Gestures: Feminism and Performance Art in North America, Montreal: McGill-Queen’s University Press.

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Weintraub, Linda. (1996), Art on the Edge and Over, Connecticut: Art Insights, Inc.

Weisbord, Marvin and Janoff, Sandra. (2000), Future Search: An Action Guide to Finding Common Ground in Organizations and Communities, San Francisco: Berrett-Koehler Publishers, Inc.

Welton, Neva; Wolf, Linda. (2001), Global Uprising: Confronting the Tyrannies of the 21st Century, Gabriola Island: New Society Publishers.

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Whitaker, Chico. (2006), Changer le monde: (nouveau) mode d’emploi, Paris: Les Éditions de l’Atelier / Éditions Ouvrières.

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Willard, Tania, Editor. (2008), Access All Areas; Conservatons on Engaged Art, Vancouver: Visible Arts Society.

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Wisechild, Louis M., Editor. (1991), She Who Was Lost Is Remembered: Healing From Incest Through Creativity, Seattle: Seal Press.

In this anthology over 30 female artists, writers, musicians, playwrights and poets tell personal stories of sexual abuse at the hands of family members. At the same time, they describe how creative activities helped them to heal themselves. Accompanying the personal essays are illustrations and poems.

Wisechild, Louis M., Editor. (1993), The Mother I Carry: A Memoir of Healing From Emotional Abuse, Seattle: Seal Press.

Women & Environments International Magazine. (2006), ‘Woman, Art and Community Activism’,  Women and Environments, Toronto: Faculty of Environmental Studies, York University.

Wright, Stephen. (2007), XV Biennale de Paris du 1er octobre 2006 au 30 septembre 2008, Paris : Éditions Biennale de Paris.

– X –

– Y –

Yunus Muhammad. (2007), Creating a World Without Poverty – Social Business and the Future of Capitalism

– Z –

Zander, Rosamund Stone, and Zander, Benjamin. (2000), The Art of Possibility: Transforming Professional and Personal Life, Boston: Harvard Business School Press.

Zohar, Danah. (1990), The Quantum Self: Human Nature and Consciousness Defined by the New Physics, New York: William Morrow.

Zohar, Danah. (1990), The Quantum Society: Mind, Physics, and a New Social Vision, New York: William Morrow.

Zukov, Gary. (2001), The Dancing Wi Li Masters, New York: Harper Trade.

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AUDIO-VISUEL

CDS

Freedom on the Air. CD1- Anarchy 101. Produced by CKUT community news collective in Montreal.

Freedom on the Air. CD2- Anarchist History. Produced by CKUT community news collective in Montreal.

Freedom on the Air. CD3-Theory and Practice. Produced by CKUT community news collective in Montreal.

Freedom on the Air. CD4- Anarchism and social movementnts. Produced by CKUT community news collective in Montreal.

Libre à vous. Production Souverains Anonymes.

Quatorze ; Se souvenir pour Agir (6 décembre 1989-1999) Fondation des vistimes du 6 décembre contre la violence. – Les Éditions Le Choisier (SOCAN)

DVDS and VHS

A Call to Witness – VHS

Accomode donc ça !/Accomodate this! (2008)

Arbre des dollars solidaires – Collectif pour un Québec sans pauvreté. (2005) – Conception et réalisation de la vidéo, Johanne Chagnon – Québec.

Born into Brothels. (2004), A film by Ross Kauffman and Zana Briski – 1 heure 23 Minutes – USA.

Darwin’s Nightmare. (2004), A film by Hubert Sauper.- 106 minutes – Austria-France-Belgium.

Changer le monde : Quelle drôle d’idée.!? (2007) Un court métrage de V. Bonnassies, J.cayer, M. Morin, M.S. Teigeler – Éditeur : Collectif Musettes – 52 minutes – Québec.

Des hommes de Passage. (2002) Un documentaire de Bruno Bouliane- 43 minutes, 25 secondes – Production ONF-NFB – Canada.

Fly With Me to Another World. A tale that never ends… Even when it reaches the horizon. (2006) Project coordinator, Ratchanok Ketboaruang-50 minutes, 06 secondes – Production Navin – Thaïlande.

Full circle, Mandela Project. Extraits vidéo de Rod Thibeault – VHS.

Gita. (2006) Groupe d’intervention par les arts- 33 minutes, 38 seconds – Québec .

Héros du Burundi. Une vidéo de Lisa Ndejuru – VHS.

Imperial Grand Strategy. (2005) Enregistrement d’une conférence de Noam Chomsky- États-Unis.

In the Shadow of the Sun. (1980) A film by Derek Jarman- 50 minutes -VHS – England.

Inkingi 2?Ubuntu – VHS

La pharmacie de l’espoir. Un film de François Gourd – Production Sympholium.

Les soldates de la paix. 8 minutes, 13 secondes – Québec.

Méchant Trip (le). (2005) Un film d’Ilan Saragosti – 70 minutes, 49 secondes – Color – French version with English subtitles – Québec.

On a Moving Path. (2007), A film by Myriam Fougère – Documentary- 25 minutes – Color – French version with English subtitles – Canada .

Onkwa nistenhsera: Mothers of Our Nations. (2006), Indigenous Elders Summit 2004. Six Nations, Ontario. A film by Dr. Dawn Martin-Hill – 48 minutes- Color- English Version – Canada.

Opération salami : Les profits ou la vie ? (1999) – Un documentaire de Malcolm Guy, Magnus Isacsson et Anna Paskal. 53 minutes – Productions Multi-monde – Distribution Cinéma Libre.

13 Experiments in Hope. (2006) The Laboratory of Insurrectionary Imagination.

Un dimanche au Biodôme avec les koalas. (2006) Un film de Olivier D. Asselin – 23 minutes – Production Crapn – Québec.

Up the Ridge. (2008) A film by Nick Szuberla and Amelia Kirby – Documentary- 60 minutes – Color- English Version – USA.

Parole citoyenne. (2006) ONF-NFB-30 secondes- Canada.

Parole d’excluEs. (2005) Un documentaire de Patrice Rodriguez – Argentine-Québec-Brésil.

Pouvoir de l’imagination. Un documentaire d’Olivier DeGaspé-Asselin, Patrick Cadorette- VHS – 25 minutes – Québec.

RCCGP (Document à l’appui du rapport final). (2003)- 14 minutes.

Reena Almoneda-Chang (Document à l’appui pour une demande de financement pour le Centre des Femmes de Montréal) – VHS

Reparative Culture.(2004), A Video documentary by Edith Regier.  The Crossing Communities Art Project-The Documenting Engagement Institute – VHS – USA.

Revelations-The Visionary Sampler. A documentary by William Gibson – 50 minutes – VHS – England.

Semelles percées (les).. (2005) Un film sur la pauvreté de Suzanne Joly –  35 minutes, 03 secondes – Production La table de concertation Petite Enfance-Matawinie – Québec.

Slavery 101. Documentary produced by Peggy Callahan (Free the Slaves) – 12 minutes

Sleeping Giants – Community Arts Approaches from  The Olimpias. (2003) Producer Petra Kuppers/The Olimpias – USA.

The Individual in the Lead-Theateratelier Haarlem. (2007) Réalisateur du documentaire, Luc Opdebeeck – 22 minutes, 35 secondes – Rotterdam.

The Silent Revolution: Sankalp and the Quarry Slaves. (2005) – Documentary produced by Peggy Callahan (Free the Slaves) – 18 minutes – USA.

The Youth Solidarity Network’s-Palestinian Youth Media Digital Resistance. (2007) – Palestine.

Toward The Sun. (2003), ONF-NFB – Documentary – 18 minutes 15 seconds – VHS – Canada.

Va-et-vient. (2002), Vidéo de Mei-Kuei Feu- 14 minutes, 40 seconds – VHS – Québec.

Viva ! (2007) Un documentaire de Maggie Hutcheson, Pato Esquivel. 25 minutes, 30 secondes  – Canada.
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